Mono Rita Project アーカイブ | FUTURE OF HUMANITY RESEARCH CENTER

HOME ＞ Report ＞ Mono Rita Project

Report

Reports of open & closed events FHRC conducted.

- Mono Rita Project
Just another instrument to play in the park　Hugh de Ferranti

2023.07.31
- Mono Rita Project
Film and Anger　Aya Kawamura

2023.07.31
- Mono Rita Project
Shoes　Kumiko Kiuchi

2023.07.31
- Mono Rita Project
The Imaginative “Likening” of Things　Kyohhei Kitamura

2023.07.31
- Mono Rita Project
Being a member of the community　Asa Ito

2023.07.31
- Mono Rita Project
The Ukrainian Apple　Aya Kawamura

2022.10.28
- Mono Rita Project
Natural Glazing　Kumiko Kiuchi

2022.10.28
- Mono Rita Project
When Negative Memories Remain as Records: From Shu Kambara's recollections about his “stinky weapon”　Yoshimi Takuwa

2022.10.28
- Mono Rita Project
Rita in Playground Equipment: Between “Moving” and “Being Moved”　Kyohhei Kitamura

2022.10.28
- Mono Rita Project
Things we do with instruments　Hugh de Ferranti

2022.10.28
- Mono Rita Project
A cul-de-sac and Pai-Yama　Asa Ito

2022.10.28
- Mono Rita Project
The Negative History of Tokyo Tech Described by an Ammeter　Yoshimi Takuwa

2022.07.01
- Mono Rita Project
Unnecessary stuff　Kumiko Kiuchi

2022.07.01
- Mono Rita Project
An instrument, a 'Japanese', and the frailty of intercultural existence　Hugh de Ferranti

2022.07.01
- Mono Rita Project
The Creative Potential of Lego -- Rita in/arising from relationship between a “Thing” and the body　Kyohhei Kitamura

2022.07.01
- Mono Rita Project
Who designs the spoon?　Aya Kawamura

2022.07.01
- Mono Rita Project
The Garden of Papaya Trees　Asa Ito

2022.07.01

住所	〒152-8552 東京都目黒区大岡山2-12-1
TEL/FAX	03-5734-3892（月～木 9:30-17:00）/ 03-5734-3748
E-mail	fhrc@ila.titech.ac.jp

ADDRESS	2-12-1 Ookayama, Meguro-ku, Tokyo 152-8550 Japan
TEL/FAX	03-5734-3892（Mon.～Thu. 9:30-17:00）/ 03-5734-3748
E-mail	fhrc@ila.titech.ac.jp
Twitter	@fuhu20202

Report

Just another instrument to play in the park Hugh de Ferranti

Film and Anger Aya Kawamura

Shoes Kumiko Kiuchi

The Imaginative “Likening” of Things Kyohhei Kitamura

Being a member of the community Asa Ito

The Ukrainian Apple Aya Kawamura

Natural Glazing Kumiko Kiuchi

When Negative Memories Remain as Records: From Shu Kambara's recollections about his “stinky weapon” Yoshimi Takuwa

Rita in Playground Equipment: Between “Moving” and “Being Moved” Kyohhei Kitamura

Things we do with instruments Hugh de Ferranti

A cul-de-sac and Pai-Yama Asa Ito

The Negative History of Tokyo Tech Described by an Ammeter Yoshimi Takuwa

Unnecessary stuff Kumiko Kiuchi

An instrument, a 'Japanese', and the frailty of intercultural existence Hugh de Ferranti

The Creative Potential of Lego -- Rita in/arising from relationship between a “Thing” and the body Kyohhei Kitamura

Who designs the spoon? Aya Kawamura

The Garden of Papaya Trees Asa Ito

Just another instrument to play in the park　Hugh de Ferranti

Film and Anger　Aya Kawamura

Shoes　Kumiko Kiuchi

The Imaginative “Likening” of Things　Kyohhei Kitamura

Being a member of the community　Asa Ito

The Ukrainian Apple　Aya Kawamura

Natural Glazing　Kumiko Kiuchi

When Negative Memories Remain as Records: From Shu Kambara's recollections about his “stinky weapon”　Yoshimi Takuwa

Rita in Playground Equipment: Between “Moving” and “Being Moved”　Kyohhei Kitamura

Things we do with instruments　Hugh de Ferranti

A cul-de-sac and Pai-Yama　Asa Ito

The Negative History of Tokyo Tech Described by an Ammeter　Yoshimi Takuwa

Unnecessary stuff　Kumiko Kiuchi

An instrument, a 'Japanese', and the frailty of intercultural existence　Hugh de Ferranti

The Creative Potential of Lego -- Rita in/arising from relationship between a “Thing” and the body　Kyohhei Kitamura

Who designs the spoon?　Aya Kawamura

The Garden of Papaya Trees　Asa Ito